​Gary Fife (Muscogee), “the Voice of Mvskoke”, spent more than a half century working to change the way the journalists cover Indigenous peoples – and was still hosting radio shows and writing a weekly column when he died Sunday at the age of 73.

Fife devoted the last years of his life to his tribe in Oklahoma and the news organization Mvskoke Media, which is owned by the tribe.

As Rhonda McBride from our flagship station KNBA reports, he was also the first anchor of National Native News.

Listen to Native America Calling’s commemoration of Gary Fife with guests Angel Ellis (citizen of the Muscogee Nation), director of Mvskoke Media, treasurer for the Indigenous Journalists Association, and Oklahoma Media Center board member; and Sterling Cosper (citizen of the Muscogee Nation), Mvskoke Media editorial board president and Indigenous Journalists Association membership manager.

​Watch Gary Fife speak at the 1994 Minority Myths and Stereotypes conference moderated by Carole Simpson in Atlanta.

National Native News anchor Antonia Gonzales spoke with three participants in the Native America Season 2 screening event in New York City about how they are protecting Indigenous languages in their communities.

Watch all three parts:

Watch the Q&A session which followed the screening:

Award-winning journalist and longtime National Native News reporter María Martin has “passed over the rainbow bridge”, according to an email from Peggy Berryhill, General Manager of KGUA-FM, to friends and colleagues.

María Emilia Martin was a “founder and leader in both public and independent media, and media education in Spanish and English”, writes Berryhill.

“She was a founder of KBBF in Santa Rosa, California, the first bi-lingual radio station in America, and founded NPR’s Latino USA.

“María Martin was the recipient of Fulbrights and several Knight Fellowships, including the John S. Knight Professional Journalism Fellowship at Stanford University, and the Reagan-Fascell Democracy Fellowship awarded by the National Endowment for Democracy.”

Stay tuned to National Native News for more on the life and career of María Martin.

Santa Fe Indian Market, the nation’s oldest and largest celebration of Native arts, draws more than 100,000 artists and collectors from around the world. Native America Calling continues its tradition of bringing a snapshot of the film, fashion, and other creative talent at the event organized by the Southwest Association of Indian Arts (SWAIA).

GUESTS

Dawn Houle (Chippewa Cree from Rocky Boy Montana), President and CEO of Sun Slinger Consulting; Vice Chairman of the SWAIA Board

Mandolin Rain Song (Taos Pueblo), Segment producer for Native America, season 2 on PBS

Jennifer Johns (Diné), Series Producer for Native America, season 2 on PBS

Jason Garcia (Santa Clara Pueblo), contemporary artist

Koahnic Broadcast Corporation is proud to mention, airing this Fall 2023
Native America Season 2
Premiering on PBS October 24 through November 14 at 9 p.m. ET (check local listings)

Members of the Native American Journalists Association (NAJA) voted to change the name of the organization to the Indigenous Journalists Association Friday, August 11. Here is the press release issued shortly after the results were announced.

WINNIPEG, CANADA— Members of the Native American Journalists Association (NAJA) voted to change the organization’s name and elected the 2023-2024 Board of Directors during the 2023 National Native Media Conference held this week in Winnipeg, Canada. By a vote of 89–55, or nearly 62 percent, the membership voted to change the name to the Indigenous Journalists Association (IJA), unveiling the new name and logo during the NAJA Membership Luncheon.

“It’s so inspiring to see Indigenous journalists around the world asserting themselves in newsrooms and taking their place as the rightful storytellers of their own narratives. It’s long overdue, and we’re so proud and excited to be a part of that movement,” said NAJA/IJA President Graham Lee Brewer. “Connecting with our brothers and sisters across the globe, from Canada to New Zealand, has made it clear that as Indigenous peoples the struggles we face in this industry are universal.”

The group began in 1983 when several Native American journalists met to form the Native American Press Association. In 1990, the group changed its name to NAJA to expand support for Native voices across all media platforms and ensure accurate and contextual reporting about Native communities.

“Despite the colonial framework that has warped our histories and shapes the stories told about us today or the challenges of working within structures that weren’t designed for us to thrive, we see Indigenous journalists at every level doing the important work of representing their people. We live in a time when it is possible to connect and create deep, meaningful relationships with Indigenous journalists no matter where they are, and we look forward to helping them find each other to share their knowledge and support,” Brewer said.

NAJA/IJA recognizes Indigenous peoples as distinct groups based on tradition and culture. In this spirit, NAJA/IJA educates and unifies its membership through journalism programs that promote diversity and defends challenges to free press, speech, and expression. The group is committed to increasing the representation of Indigenous journalists in mainstream media and encourages mainstream and Indigenous media to attain the highest standards of professionalism, ethics, and responsibility.

Sunnie Clahchischiligi (Diné) and Joseph Lee (Wampanoag Tribe of Gay Head) were newly elected to serve on the board of directors. Jourdan Bennett-Begaye (Diné) is a returning board.

Angel Ellis (Muscogee Creek Nation), Savannah Maher (Mashpee Wampanoag), Angel Moore (Peguis First Nation), Shondiin Silversmith (Diné), Jodi Rave Spotted Bear (Mandan, Hidatsa and Arikara Nation / Lakota) and Christine Trudeau (Prairie Band Potawatomi Nation) will remain seated for the duration of their terms.

NAJA/IJA Executive Director Rebecca Landsberry-Baker said the operation has been preparing for the proposed rebrand for the last year, including developing a new website.

“Once again, our members have thoughtfully considered a name change to be more inclusive of Indigenous journalists globally. I’m looking forward to expanding support for our members and the communities we serve over IJA’s next 40 years,” Landsberry-Baker said.

For more information about the group and its expansion, visit www.naja.com or the new website at www.indigenousjournalists.org.

About the Indigenous Journalists Association

IJA serves more than 850 members, including media professionals working in Indigenous, freelance, independent, and mainstream news outlets, as well as academia and students covering Indigenous peoples and communities.

Frank Blythe’s many notable achievements include co-founding Native America Calling and American Indian Radio on Satellite (AIROS), the distribution system that eventually became Native Voice One. These two keystones of Koahnic Broadcast Corporation’s mission carry on Blythe’s determined vision for accurate and authentic representation of Native American voices to the public.

“Native media would not be nearly as far along if it weren’t for Frank’s far-sightedness and his ability to inspire so many others,” said Koahnic President and CEO Jaclyn Sallee.

Our thoughts go out to his family and the many people whose lives he touched throughout his rich life.

Podcast: Play in new window | Download | Embed

“Alaska Daily”, the TV series about #MMIP coverage by an Anchorage newspaper starring Hilary Swank, was cancelled by ABC this month. Rhonda McBride from our flagship station KNBA caught up with one of the show’s writers, Vera Starbard (Tlingit/Denaʼaina), in this special feature from National Native News.

When two major tribal organizations pulled out of the Alaska Federation of Natives this week, it fueled speculation about the reasons why.

The Central Council of Tlingit and Haida Indian Tribes of Alaska and the Tanana Chiefs Conference each had a different explanation.

Tlingit and Haida said it no longer needed AFN, that it was ready to strike out on its own to advance its causes. Tanana Chiefs said it wanted to focus on protecting salmon and subsistence, and that AFN had not taken enough action on these issues.

Since 2019, a total of five organizations have withdrawn their membership from AFN. Along with the two tribal groups, three regional Native corporations have left — the Arctic Slope Regional Corporation, Doyon and the Aleut Corporation.

The departures have raised questions about how AFN has handled internal disputes and the health of the organization, which was formed in 1966 to fight for Native land rights.

AFN’s efforts led to the passage of the landmark Alaska Native Claims Settlement Act in 1971. Today, it remains the largest and most influential Alaska Native organization.

Every October, it holds the state’s largest convention.

Rhonda McBride from our flagship station KNBA talked with Paul Ongtooguk, an Alaska Native historian and a longtime observer of AFN, about these recent developments. Ongtooguk recently retired from the University of Alaska Anchorage as director of Alaska Native studies.

Rhonda McBride: You’ve said you believe the decision for Tlingit and Haida and Tanana Chiefs to pull out of AFN is short sighted. Why?

Paul Ongtooguk: One of the things that happens is we can take for granted the benefits of having a unified sense of Alaska Native communities on issues. We’re not even close to the majority of the population. We’re about really one-fifth of the population in Alaska. So, if we’re going to influence things, and punch above our weight, we have to have a kind of unity that reflects a sense of shared purpose. To the degree that AFN does, or does not represent that sense of unity, that’s OK when there isn’t real pressure on us as people. But when a crisis comes, it’s hard to put together that kind of sense of unity that you really want to have at that moment. So, it’s not thinking long term from people who are pulling out of it.

Rhonda McBride:  Aside from winning ANCSA, how has AFN leveraged its clout in recent years?   

Paul Ongtooguk: Well, probably the last time that there was a real sense of shared purpose was trying to prevent Joe Miller from becoming a Senator and having the support of Alaska Native communities and organizations to help Lisa Murkowski to run as an independent. I think that was probably the most substantial thing in the modern era that Native organizations have done on behalf of Alaska Native interests. If Miller had been elected, it would have been a disaster. He was anti-Alaska Native. He wanted people to be assimilated, probably still does. He wants everybody to be a Republican, to be more individually minded, rather than thinking about shared interests, peoples and cultures that long predate even the existence, not only of Alaska, but of the United States. Our tribes have been around for much longer than this new experiment called the United States, or even the State of Alaska.

Rhonda McBride:  When groups pull out of an established organization like AFN, what kind of message does that send?  

Paul Ongtooguk: Well, it can be understood that when organizations are pulling out, they’re actually voting against (AFN), a sense that AFN is no longer serving as an honest broker between the various interests of Alaska Native organizations, that it isn’t serving as a place where you can disagree, have those disagreements be honestly embraced, that AFN serves as this sort of fair referee in managing those concerns. If AFN is seen as already having decided on its own ideology and its own direction, then people will vote, organizations vote to withdraw from AFN. And it’s only when a crisis happens that people realize the value of having a statewide voice that AFN can be.

It’s also a concern about the general health of AFN. Is it adapting? Is it reflecting the broad spectrum of interests of Alaska Native peoples and organizations? And by pulling out, it’s a way of voting publicly, a lack of confidence.

Rhonda McBride: So, you see this as a no-confidence vote from these groups? 

Paul Ongtooguk: Yeah, it’s sort of the last way you get to send a message. It’s saying, yeah, this is a vote of no confidence. So, it should be a wake-up call, and it’ll be interesting to see if it is.

Rhonda McBride: Julie Kitka has been president of AFN for a long time. Is one of the undercurrents of this about her leadership?

Paul Ongtooguk: Being the head of AFN is an impossible position to have, and it always has been. I don’t want to criticize somebody who’s in the ring, while I’m in the peanut gallery looking down at it. I understand that it’s an enormous set of conflicts that are reflected in trying to run this organization. At the same time, I honestly, from an outside perspective, I haven’t seen what AFN is doing in terms of connecting with Alaska Native peoples outside of this annual get together. It’s no small thing. I haven’t seen that or have that sense that AFN is as broadly engaged as it has been in the past.

It’s easy to get insulated and pay more attention to other people, who are leading and are part of other Alaskan Native organizations. We have these meetings — CEOs, boards of directors and president — without having a broad, deep reach within Alaska Native communities and people. So, it’s always hard to stay in touch when you’re at that level. I understand that, but it’s something that has to be done. And in the past few years, I don’t know that it’s been done all that well.

Also, at some point from a leadership perspective, who is Julie Kitka prepping to take over potentially? I don’t know. I don’t see any clear evidence. Who is she sharing the spotlight within AFN? Who’s that next person that she’s sort of sponsoring to take over and, and to lead us into the future. Who’s that 30-something that’s being readied to take over. If there is somebody, I’m missing it.

Rhonda McBride: As far as other AFN leadership, it’s interesting that one of the Co-Chairs of AFN, is Joe Nelson, who is also the chairman of the board for the Sealaska Corporation – which represents the same region as Tlingit and Haida, which has just pulled out of AFN. Doesn’t that kind of put him in an awkward position with Tlingit and Haida’s president, Richard Peterson? Is this another sign of division? 

Paul Ongtooguk: Right. It would be interesting to know, if succession was informally or whatever, if it was moving from one traditional group to another, as the head of AFN.

Rhonda McBride: As a longtime observer of AFN, what puzzles you the most about this latest move. What do you want to know?

Paul Ongtooguk: One of the questions I have, and that I would imagine other people might have: Is this a temporary separation, or is this an actual divorce? You would know that things are really problematic, if the organizations that are now outside of AFN, and there’s quite a number of them, have started trying to imagine a different statewide organization, a competing interest.

Every now and again, you’ll see a statewide organization of Alaska Native tribal governments, and they just sort of burn brightly for a moment and then collapse on themselves. Nothing’s really come about that’s substantial enough to actually be real competition to AFN. But if things keep pulling apart, to me that would be the question. Are you going to see an alternate organization as competition for that statewide voice?

It’s hard to imagine it would ever happen, because AFN has always been that. But if an organization doesn’t pull things together well enough, or long enough, then its legitimacy does get called into question. And I’m wondering, what’s the breaking point? How many organizations pull out before something new gets created to fulfill that role?

I hope that AFN can just sort of reinvigorate itself, remake itself, to avoid that kind of outcome.

Rhonda McBride: Historically at AFN there has always been tension between tribes and the Native corporations. It’s sort of been a battle between the haves and the have nots, in which the corporations have lots of resources and the tribes have been cash poor. But in recent years, tribes in Alaska have been gaining in prominence, infused with cash from COVID money and, for example, big grants for tribal broadband programs. Some tribes have become very powerful, to the extent that they have a big impact on a community’s economy, even the state economy. It is also interesting that out of the five organizations that have pulled out of AFN, three are corporations and two are tribes. Collectively, they represent a lot of real estate in Alaska. It always seems to go back to the question at the beginning of AFN, was it a place where tribes and corporations could work together?  Or maybe it was an impossible mission.

Paul Ongtooguk: I don’t know. I think that tension has always been there, and you have to throw in the nonprofit regionals, which reflect tribes in a sense, but they have their own interests as well. And the difference between the village corporations and the regionals is often no small thing either.

I always think about the former Yugoslavia, when somebody interviewing Marshall Tito, asked, “What happens to Yugoslavia after your leadership is over? And Tito supposedly said, “There is no Yugoslavia outside of my imagination.”

It sort of collapses into what we have now, these different nations. All the fissures finally broke things apart.

And I keep that in mind, when I think about an organization like AFN. There’s nothing certain about the continuity or the cohesion of AFN. We take it for granted, but when it falls apart it, it shouldn’t come as a surprise. I think it would be terrible in the long-term interests of Alaska Native peoples for it to happen. But it’s no easy thing to keep it together, and I understand and respect that.

Rhonda McBride: Explain what makes it hard to keep AFN together?

Paul Ongtogook: Well, because there are so many cultures. We have to understand that we’re not like Hawaii, with a common cultural base and common core of language. We’re, we’re like Europe, with Italy and Finland, and Norway and Spain, and Portugal and Bulgaria, Germany and France. All are European, right? They’re all very different. The amazing thing is that there’s any sort of common European organization at all.

And that’s been the history of AFN. The amazing thing is that we ever created AFN. Look at

Arizona or New Mexico, or Washington or Oklahoma. How unified and strong are their statewide organizations representing the tribes? I see nothing that’s a counterpart to AFN.

And I think the reason why we’ve been so much more effective in part, at the federal level and with Congress, is because we’ve had this organization, AFN representing a unified voice in a way that the tribes in other states simply have never achieved.

So, the standard model is to not have an AFN. AFN is the outlier within tribes in the United States. We’ve had some remarkable successes as Alaska Native peoples and organizations, because we’ve had this statewide unifying voice. So, it’s a precious commodity. It’s a precious thing to have, and you don’t want to throw it away lightly, but it can fall apart internally, or it can lose coherence among those conflicting interests.

It’s a very difficult position, and I respect anyone who can manage it — and in Julie Kitka’s case, manage it as long as she has. But the current question is, has it been too long? Is AFN not reinventing itself, well enough to reflect the current issues in a way that satisfies most of the Alaska Native peoples and organizations. And with the number of organizations that have pulled out, that’s a real open question.

Rhonda McBride: Is this a generational problem?  

Paul Ongtogook: I think that’s a concern that’s legitimate, and it’s not the fault necessarily of this newer generation. There has to be a larger picture of things. I think our generation has failed the upcoming generation largely in thinking about what it means to be Alaska Native for the future.

I think the tension has always been ANCSA as the model. The use of corporations was intended to assimilate Alaska Native peoples, to move us from thinking of ourselves, our thousands of years of history, our own tribes and our own peoples — to have us transform ourselves, so that we think quarterly profits or annual dividends — and think more about capitalism and monetary success rather than to see ourselves as a “we.”  Corporate individualism and individual success. Corporate CEO’s wanting to go from a two-car garage to four-car garage as a model. That’s an underlying, potentially undermining part of that corporate model.

And tribes are wondering, how do we become relevant for this new generation? At least they should be. And the new generation is saying, “What’s relevant about being a tribal member?”

This interview has been lightly edited for length and clarity.

These reports are supported by the International Women’s Media Foundation’s Fund for Indigenous Journalists: Reporting on Missing and Murdered Indigenous Women, Girls, Two-Spirit and Transgender People (MMIWG2T).

Rhonda LeValdo reports from the Sacheen Littlefeather Academy apology event in September 2022:

Photo- Eugene Tapahe, IWMF

Hollywood, CA- Actress Sacheen Littlefeather, who famously refused an Oscar on behalf of Marlon Brando in 1973, has passed away, her family announced in a press statement.

Her death comes just two weeks after the Academy of Motion Picture Arts and Sciences publicly apologized to Littlefeather and officially acknowledged the mistreatment and misrepresentation of Native Americans by the film industry.

Littlefeather was boycotted by Hollywood, personally attacked, and harassed after she gave a 60-second speech at the 45^th awards ceremony refusing Brando’s honor for his role in “The Godfather.”

The night in September in Hollywood was for reflection and healing. Littlefeather says she stood up for Native rights for all Native people.

“It was critical for the psyche of all our relations to bring awareness and interrupt the negative interpretation and representation of Native American people by the film, television and sports industry.”

The event drew more than 800 people. Some remember watching Littlefeather make history on TV while others have seen archived video.

Many say it was a monumental moment on television for Native people.

Anthony Morales is chief of the San Gabriel Band of Mission Indians.

“What it took her to do 50 years ago kind of inspires me because I am, for the tribe, I’m the one that likes to go out and challenge developers and you know, always for our people, and everything I do is for our people. Not only for my own people, but for our all our ancestors.”

Chef Crystal Wahpepah provided food for a private reception.

“The apology means a lot like when it comes to especially me being a Native chef and her, where to me personally, I feel like it’s long overdue but it’s her way of a gift to all of us.”

Native creatives in Hollywood both older and younger generations say Littlefeather made an impact.

Actress Devery Jacobs of “Reservation Dogs.”

“Seeing Sacheen, it’s like Auntie Sacheen. She is like someone who has been on my television who I’d been watching clips of YouTube since I was a little girl and she’s even framed on my bathroom wall and so for her to stand up and stand with her community all across the theater it meant so much and it was just so hard to hold back tears throughout that entire thing tonight.”

Actor Zahn McClarnon of “Reservation Dogs” and “Dark Winds.”

“She was one of our first that got up and that was involved politically and made Native Americans recognized within the film business. She was one of the first along with Will Sampson, Chief Dan George, Jay Silverheels, Sacheen came along and I think opened up some doors for people. Made a lot of people realize what was going on especially in the early 70s, Wounded Knee and the American Indian Movement.”

A letter of apology was read at the event, which was sent to Littlefeather by the Academy in June.

At a media roundtable, Littlefeather said of the apology that she was shocked and very fortunate to still be alive to see it.

She added “it’s never too late for an apology” and “it’s never too late for forgiveness.”

Littlefeather died of cancer at age 75 on Sunday, October 2, 2022, in California.

Audio:

FNX NOW “An Evening with Sacheen Littlefeather /Academy Apology”:

Photo slideshow:

Requiem Mass funeral for Sacheen Littlefeather

When: Friday, October 21, 2022 at 1pm PT

Where: St. Rita Church in Fairfax, CA or live stream

Dinner reception at 3pm PT at @ St. Rita’s Parish Hall, catered by Crystal Wahpepah.

In lieu of flowers, Sacheen requested donations be made to the American Indian Child Resource Center, 522 Grand Ave, Oakland, CA 94610.

Condolences, stories, and photos can be sent via email to SacheenMemorial@gmail.com.